Listening to the ultra-energetic music of Kin’Gongolo Kiniata is like being instantly transported, almost magically, to the bustling streets of Kinshasa, Congo. The frenetic rhythm, the sounds of crowded streets, the bustling markets and the incessant movement of people play a dramatic role in this profoundly original work.

Kin'Gongolo Kiniata stands out as a new force in Kinshasa's vibrant music scene, offering an innovative proposal that captures the vibrant and chaotic urban life of the Congolese capital. Fueled by the pulsating sounds of the city, this dynamic group creates their music using instruments made from recycled objects, exploring a wide range of sound textures. The result is a highly experimental Afropop that blends the energy of punk with electronically generated Congolese rhythms.

The lyrics, sung in Lingala, one of the most spoken languages in the Democratic Republic of Congo, address deep and different themes centered on hope and perseverance. Among their compositions are tributes to itinerant workers, protest songs against the war in Congo, and messages of encouragement for Kinshasa's youth.

"Kingongolo" is the onomatopoeia of a rhythm generated by the sound of a can hit by a soda bottle. The term, popular in Kinshasa in the early 2000s, was popularized by gasoline vendors who fueled lamps during frequent power outages. "Kingongolo, Kingongolo, Kingongolo" was their signal on the streets of Kinshasa, indicating their passage and the need for refueling. "Kiniata" simply means "to crush". Thus, Kin'Gongolo Kiniata translates to "The crushing sound". Perfect for celebration, indeed.