{"id":12509,"date":"2023-05-11T10:03:45","date_gmt":"2023-05-11T10:03:45","guid":{"rendered":"https:\/\/festivalmed.cm-loule.pt\/?page_id=12509"},"modified":"2025-06-15T11:42:02","modified_gmt":"2025-06-15T10:42:02","slug":"exposicoes","status":"publish","type":"page","link":"https:\/\/festivalmed.cm-loule.pt\/en\/programa\/exposicoes\/","title":{"rendered":"Exposi\u00e7\u00e3o Coletiva"},"content":{"rendered":"<div class=\"vc_row wpb_row vc_row-fluid qodef-section vc_custom_1622542805246 qodef-content-aligment-left qodef-grid-section\" style=\"\"><div class=\"clearfix qodef-section-inner\"><div class=\"qodef-section-inner-margin clearfix\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner vc_custom_1622541582114\"><div class=\"wpb_wrapper\">\n\t\t\t<!-- START imagetoppages25 REVOLUTION SLIDER 6.5.11 --><p class=\"rs-p-wp-fix\"><\/p>\n\t\t\t<rs-module-wrap id=\"rev_slider_47_1_wrapper\" data-source=\"gallery\" style=\"visibility:hidden;background:transparent;padding:0;margin:0px auto;margin-top:0;margin-bottom:0;\">\n\t\t\t\t<rs-module id=\"rev_slider_47_1\" class=\" rs-ov-hidden\" style=\"\" data-version=\"6.5.11\">\n\t\t\t\t\t<rs-slides>\n\t\t\t\t\t\t<rs-slide style=\"position: absolute;\" data-key=\"rs-66\" data-title=\"Slide\" data-anim=\"ms:10;\" data-in=\"o:1;\" data-out=\"a:false;\">\n\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" src=\"\/\/festivalmed.cm-loule.pt\/wp-content\/plugins\/revslider\/public\/assets\/assets\/dummy.png\" title=\"img-site-bg\" width=\"2560\" height=\"2090\" class=\"rev-slidebg tp-rs-img rs-lazyload\" data-lazyload=\"\/\/festivalmed.cm-loule.pt\/wp-content\/uploads\/2016\/09\/img-site-bg-scaled.jpg\" data-parallax=\"3\" data-panzoom=\"d:13000;ss:100;se:110;\" data-no-retina>\n<!---->\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t<\/rs-slides>\n\t\t\t\t<\/rs-module>\n\t\t\t\t<script type=\"text\/javascript\">\n\t\t\t\t\tsetREVStartSize({c: 'rev_slider_47_1',rl:[1240,1024,778,480],el:[300,300,200,150],gw:[1300,800,600,300],gh:[300,300,200,150],type:'standard',justify:'',layout:'fullwidth',mh:\"0\"});if (window.RS_MODULES!==undefined && window.RS_MODULES.modules!==undefined && window.RS_MODULES.modules[\"revslider471\"]!==undefined) {window.RS_MODULES.modules[\"revslider471\"].once = false;window.revapi47 = undefined;if (window.RS_MODULES.checkMinimal!==undefined) window.RS_MODULES.checkMinimal()}\n\t\t\t\t<\/script>\n\t\t\t<\/rs-module-wrap>\n\t\t\t<!-- END REVOLUTION SLIDER -->\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid qodef-section vc_custom_1682604908361 qodef-content-aligment-left qodef-grid-section\" style=\"\"><div class=\"clearfix qodef-section-inner\"><div class=\"qodef-section-inner-margin clearfix\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner vc_custom_1718719175758\"><div class=\"wpb_wrapper\"><div class=\"qodef-separator-holder clearfix  qodef-separator-center\">\n\t<div class=\"qodef-separator\" style=\"margin-top: 80px\"><\/div>\n<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\tHome\n\t\t<\/span><\/div>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid qodef-section vc_custom_1715956222200 qodef-content-aligment-left\" style=\"\"><div class=\"clearfix qodef-full-section-inner\"><div class=\"wpb_column vc_column_container vc_col-sm-4 vc_col-lg-6 vc_col-md-6\"><div class=\"vc_column-inner vc_custom_1718719192554\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h2><span style=\"color: #123758; text-transform: uppercase;\">EXPOSI\u00c7\u00c3O COLETIVA<\/span><\/h2>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"qodef-separator-holder clearfix  qodef-separator-left\">\n\t<div class=\"qodef-separator\" style=\"border-color: #df091a;border-style: solid;width: 22px;border-bottom-width: 3px;margin-top: 28px;margin-bottom: 28px\"><\/div>\n<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p class=\"p1\"><strong>Curadoria: Ricardo Barbosa Vicente e Jo\u00e3o Serr\u00e3o<\/strong><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"qodef-separator-holder clearfix  qodef-separator-left\">\n\t<div class=\"qodef-separator\" style=\"border-color: #df091a;border-style: solid;width: 22px;border-bottom-width: 3px;margin-top: 28px;margin-bottom: 28px\"><\/div>\n<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-4 vc_col-lg-6 vc_col-md-12\"><div class=\"vc_column-inner vc_custom_1718719158123\"><div class=\"wpb_wrapper\"><div class=\"qodef-separator-holder clearfix  qodef-separator-center\">\n\t<div class=\"qodef-separator\" style=\"margin-bottom: 30px\"><\/div>\n<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" class=\"vc_single_image-img \" src=\"https:\/\/festivalmed.cm-loule.pt\/wp-content\/uploads\/2025\/05\/logos_caboverde-450x135.png\" width=\"450\" height=\"135\" alt=\"logos_caboverde\" title=\"logos_caboverde\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid qodef-section vc_custom_1749462774230 qodef-content-aligment-left\" style=\"\"><div class=\"clearfix qodef-full-section-inner\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h3><span style=\"color: #123758;\">\u201cCartografias Transatl\u00e2nticas\u201d<\/span><\/h3>\n<h4><span style=\"color: #123758;\">de Jacira da Concei\u00e7\u00e3o, Fidel \u00c9vora, Amadeo Carvalho e Carlos Noronha Feio<br \/>\n<\/span><\/h4>\n<h5><strong>\u00a0<\/strong><\/h5>\n<h4><span style=\"color: #df091a;\">20 junho a 19 julho <\/span><span style=\"color: #df091a;\">\u00a0<\/span><span style=\"color: #123758;\">&gt; <\/span><span style=\"color: #df091a;\">ter\u00e7a a s\u00e1bado 10h00-13h30 e 14h30-18h00<\/span><\/h4>\n<h5><strong>Galeria de Arte do Convento do Esp\u00edrito Santo, Loul\u00e9<\/strong><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid qodef-section vc_custom_1747384286439 qodef-content-aligment-left\" style=\"\"><div class=\"clearfix qodef-full-section-inner\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p style=\"font-weight: 400;\">Cartografias Transatl\u00e2nticas re\u00fane, na Galeria do Esp\u00edrito Santo em Loul\u00e9, no \u00e2mbito da XXI edi\u00e7\u00e3o do Festival MED, quatro artistas cuja liga\u00e7\u00e3o a Cabo Verde atravessa a dist\u00e2ncia e se afirma na escuta, na mem\u00f3ria e na cria\u00e7\u00e3o. Atrav\u00e9s de linguagens distintas \u2014 v\u00eddeo, instala\u00e7\u00e3o, pintura, cer\u00e2mica e som \u2014, esta exposi\u00e7\u00e3o prop\u00f5e um percurso sens\u00edvel entre territ\u00f3rios, identidades e narrativas partilhadas. Mais do que representar o arquip\u00e9lago, os artistas aqui reunidos prop\u00f5em formas de o sentir, de o revisitar e de o reimaginar.<\/p>\n<p style=\"font-weight: 400;\">Viver fora n\u00e3o \u00e9 aus\u00eancia, \u00e9 extens\u00e3o. Muitas vezes \u00e9 na dist\u00e2ncia que se apuram os gestos de perten\u00e7a. Os trabalhos apresentados constroem mapas afetivos e pol\u00edticos, onde Cabo Verde emerge como presen\u00e7a em transforma\u00e7\u00e3o \u2014 um espa\u00e7o que pulsa nas vozes, nos corpos e nos gestos daqueles que o habitam de m\u00faltiplas formas.<\/p>\n<p style=\"font-weight: 400;\">Fidel \u00c9vora desconstr\u00f3i a ideia de retrato com Fake Self-Portraits, onde rostos fragmentados e camuflados interrogam as formas como a identidade se constr\u00f3i e se representa. Os seus trabalhos convocam sil\u00eancios hist\u00f3ricos e deslocamentos, propondo imagens que n\u00e3o fixam, mas questionam.<\/p>\n<p style=\"font-weight: 400;\">Jacira da Concei\u00e7\u00e3o apresenta Or\u00e1culo dos B\u00fazios, uma videoinstala\u00e7\u00e3o de evoca\u00e7\u00e3o ritual, acompanhada pelas esculturas Aruanda, Abra\u00e7o II e Lundum. No centro da sala, estas pe\u00e7as interrelacionam-se como numa dan\u00e7a de corpos. A cer\u00e2mica torna-se aqui gesto ancestral e mem\u00f3ria viva, moldada entre gera\u00e7\u00f5es de mulheres africanas.<\/p>\n<p style=\"font-weight: 400;\">Amadeo Carvalho apresenta 50 Faces Inc\u00f3gnitas \u2013 Retratos de Aus\u00eancia, uma s\u00e9rie de rostos an\u00f3nimos criados com pigmentos do vulc\u00e3o do Fogo. S\u00e3o figuras que emergem entre o vis\u00edvel e o apagado, devolvendo espessura e dignidade \u00e0s hist\u00f3rias por contar.<\/p>\n<p style=\"font-weight: 400;\">Carlos Noronha Feio encerra com Uma constru\u00e7\u00e3o \u00e9 feita de mais do que mem\u00f3rias dos antepassados&#8230;, uma instala\u00e7\u00e3o imersiva onde som e imagem se entrela\u00e7am. O mar torna-se aqui arquivo vivo \u2014 espa\u00e7o de tr\u00e2nsito, escuta e imagina\u00e7\u00e3o entre ilhas, mem\u00f3rias e possibilidades de regresso.<\/p>\n<p style=\"font-weight: 400;\">Estas Cartografias Transatl\u00e2nticas expandem o territ\u00f3rio cabo-verdiano para al\u00e9m das suas fronteiras f\u00edsicas, desenhando uma geografia feita de ecos, afetos e sobreviv\u00eancias. Um lugar onde a arte \u00e9 linguagem de reencontro.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid qodef-section vc_custom_1747384815711 qodef-content-aligment-left\" style=\"\"><div class=\"clearfix qodef-full-section-inner\"><div class=\"wpb_column vc_column_container vc_col-sm-4 vc_col-lg-6 vc_col-md-6\"><div class=\"vc_column-inner vc_custom_1718719209072\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h3><span style=\"color: #123758;\">Artistas<\/span><\/h3>\n<h5><\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-4 vc_col-lg-6 vc_col-md-12\"><div class=\"vc_column-inner vc_custom_1718719217158\"><div class=\"wpb_wrapper\"><div class=\"qodef-separator-holder clearfix  qodef-separator-center\">\n\t<div class=\"qodef-separator\" style=\"margin-bottom: 40px\"><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_row wpb_row vc_row-fluid qodef-section vc_custom_1747385327056 qodef-content-aligment-left\" style=\"\"><div class=\"clearfix qodef-full-section-inner\"><div class=\"wpb_column vc_column_container vc_col-sm-3\"><div class=\"vc_column-inner vc_custom_1748442726643\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h4>Fidel \u00c9vora<\/h4>\n<p>[1984, Cabo Verde]<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left  vc_custom_1748443088002\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img decoding=\"async\" class=\"vc_single_image-img \" src=\"https:\/\/festivalmed.cm-loule.pt\/wp-content\/uploads\/2025\/05\/Fidel-evora-300x300.jpg\" width=\"300\" height=\"300\" alt=\"Fidel-evora\" title=\"Fidel-evora\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>Artista pl\u00e1stico e designer \u00e9 mestre em Anima\u00e7\u00e3o Gr\u00e1fica, pelo BAU Centro Universit\u00e1rio de Artes e Desenho de Barcelona. Um tra\u00e7o claramente influenciado pela arte urbana, graffiti e arte visual contempor\u00e2nea, que acompanhou a evolu\u00e7\u00e3o do artista. Mais recentemente, usa muito a serigrafia combinada com a pintura. Em 2011, exp\u00f5e pela primeira vez uma obra sua numa exposi\u00e7\u00e3o coletiva, nomeadamente Freedom\u2019s Exhumation. Inspirado pela obra de Orlando Pantera, apresentou, em 2022, a exposi\u00e7\u00e3o Oxi dretu, manham mari\u00e1du, com curadoria de Maria de Brito Matias, na Galeria Movart, que atualmente o representa.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"qodef-separator-holder clearfix  qodef-separator-center qodef-separator-full-width\">\n\t<div class=\"qodef-separator\" style=\"border-color: #0e406a;border-style: solid;border-bottom-width: 1px;margin-top: 15px;margin-bottom: 15px\"><\/div>\n<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-3\"><div class=\"vc_column-inner vc_custom_1748442741489\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h4>Jacira da Concei\u00e7\u00e3o<\/h4>\n<p>[1990, Ch\u00e3o Bom, Ilha de Santiago, Cabo Verde]<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left  vc_custom_1748443150486\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" class=\"vc_single_image-img \" src=\"https:\/\/festivalmed.cm-loule.pt\/wp-content\/uploads\/2025\/05\/Jacira-da-Conceicao-300x300.jpg\" width=\"300\" height=\"300\" alt=\"Jacira-da-Conceicao\" title=\"Jacira-da-Conceicao\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>\u00c9 artista visual e investigadora colaboradora do CHAIA <span lang=\"EN-US\">\u2013<\/span> Universidade de \u00c9vora, onde frequenta o Mestrado em Artes Visuais. A sua pr\u00e1tica, enraizada na cer\u00e2mica e nas artes tradicionais cabo-verdianas, aborda temas como identidade, insularidade expandida, feminismo e auto-representa\u00e7\u00e3o. Em 2009, viajou de bicicleta pelo sul da Am\u00e9rica Latina e viveu no Quilombo de Itamatatiua (Brasil), aprofundando t\u00e9cnicas cer\u00e2micas afrodescendentes e o di\u00e1logo entre arte, oralidade e comunidade. Trabalha com cer\u00e2mica, t\u00eaxteis e objetos encontrados, numa abordagem multit\u00e9cnica centrada na natureza e no imaterial. Foi apoiada pela Funda\u00e7\u00e3o Calouste Gulbenkian em diversos projetos, destacando-se Kabelu na Kordon (2022), que explora tinturaria e tecelagem em di\u00e1logo com pr\u00e1ticas culturais cabo-verdianas. Em 2023, apresentou Tchom Bom no Centro Cultural de Cabo Verde, em Lisboa. A sua obra contribui para uma reescrita plural da hist\u00f3ria da arte a partir de saberes frequentemente marginalizados.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"qodef-separator-holder clearfix  qodef-separator-center qodef-separator-full-width\">\n\t<div class=\"qodef-separator\" style=\"border-color: #0e406a;border-style: solid;border-bottom-width: 1px;margin-top: 15px;margin-bottom: 15px\"><\/div>\n<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-3\"><div class=\"vc_column-inner vc_custom_1748442943138\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h4>Amadeo Carvalho<\/h4>\n<p>[1985, Cabo Verde]<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left  vc_custom_1748443162071\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" class=\"vc_single_image-img \" src=\"https:\/\/festivalmed.cm-loule.pt\/wp-content\/uploads\/2025\/05\/Amadeu-Carvalho-300x300.jpg\" width=\"300\" height=\"300\" alt=\"Amadeu-Carvalho\" title=\"Amadeu-Carvalho\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>Artista pl\u00e1stico cabo-verdiano, formado em Artes Pl\u00e1sticas pela Escola Superior de Belas Artes de Lisboa. Na sua pr\u00e1tica art\u00edstica, o artista cria uma linguagem visual envolvente, combinando t\u00e9cnicas de desenho e pintura e explorando o contraste entre cores, luz e sombra. O artista estreou-se com exposi\u00e7\u00f5es individuais e coletivas, no ano de 2023, com A negrura em mim mancha, no Centro Cultural do Mindelo e Mandinga \u2013 Uma par\u00f3dia mal contada no Centro Cultural de Cabo Verde. J\u00e1 efetuou diversas resid\u00eancias art\u00edsticas nos pa\u00edses de l\u00edngua portuguesa, de entre as quais em Cabo Verde, Portugal e S\u00e3o Tom\u00e9 e Pr\u00edncipe.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"qodef-separator-holder clearfix  qodef-separator-center qodef-separator-full-width\">\n\t<div class=\"qodef-separator\" style=\"border-color: #0e406a;border-style: solid;border-bottom-width: 1px;margin-top: 15px;margin-bottom: 15px\"><\/div>\n<\/div>\n<\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-3\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h4>Carlos Noronha Feio<\/h4>\n<p>[1981, Portugal]<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\n\t<div  class=\"wpb_single_image wpb_content_element vc_align_left  vc_custom_1748443172952\">\n\t\t\n\t\t<figure class=\"wpb_wrapper vc_figure\">\n\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img loading=\"lazy\" decoding=\"async\" class=\"vc_single_image-img \" src=\"https:\/\/festivalmed.cm-loule.pt\/wp-content\/uploads\/2025\/05\/Carlos-Noronha-Feio-300x300.jpg\" width=\"300\" height=\"300\" alt=\"Carlos-Noronha-Feio\" title=\"Carlos-Noronha-Feio\" \/><\/div>\n\t\t<\/figure>\n\t<\/div>\n\n\t<div class=\"wpb_text_column wpb_content_element \" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>Doutorado em Filosofia, pelo Royal College of Art de Londres. Participou de diversas exposi\u00e7\u00f5es coletivas e individuais e recebeu variados pr\u00e9mios, de entre os quais, o mais recente, no \u00e2mbito de uma resid\u00eancia art\u00edstica no CNAD \u2013 Centro Nacional de Arte, Artesanato e Design, em Cabo Verde (2022). Exposi\u00e7\u00f5es mais recentes, incluem a individual Arkip\u00e9lg, no CNAD (2023), e participa\u00e7\u00f5es em exposi\u00e7\u00f5es coletivas como ver no escuro, em \u00c1gueda, Portugal, e uma terna (e pol\u00edtica) contempla\u00e7\u00e3o do que vive, no Museu Bienal de Cerveira. As suas obras refletem a sua cont\u00ednua explora\u00e7\u00e3o e questionamento das din\u00e2micas culturais atrav\u00e9s da arte.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"qodef-separator-holder clearfix  qodef-separator-center qodef-separator-full-width\">\n\t<div class=\"qodef-separator\" style=\"border-color: #0e406a;border-style: solid;border-bottom-width: 1px;margin-top: 15px;margin-bottom: 15px\"><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Home EXPOSI\u00c7\u00c3O COLETIVA Curadoria: Ricardo Barbosa Vicente e Jo\u00e3o Serr\u00e3o \u201cCartografias Transatl\u00e2nticas\u201d de Jacira da Concei\u00e7\u00e3o, Fidel \u00c9vora, Amadeo Carvalho...","protected":false},"author":2,"featured_media":0,"parent":12479,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"folder":[],"class_list":["post-12509","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/festivalmed.cm-loule.pt\/en\/wp-json\/wp\/v2\/pages\/12509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/festivalmed.cm-loule.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festivalmed.cm-loule.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festivalmed.cm-loule.pt\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/festivalmed.cm-loule.pt\/en\/wp-json\/wp\/v2\/comments?post=12509"}],"version-history":[{"count":68,"href":"https:\/\/festivalmed.cm-loule.pt\/en\/wp-json\/wp\/v2\/pages\/12509\/revisions"}],"predecessor-version":[{"id":16283,"href":"https:\/\/festivalmed.cm-loule.pt\/en\/wp-json\/wp\/v2\/pages\/12509\/revisions\/16283"}],"up":[{"embeddable":true,"href":"https:\/\/festivalmed.cm-loule.pt\/en\/wp-json\/wp\/v2\/pages\/12479"}],"wp:attachment":[{"href":"https:\/\/festivalmed.cm-loule.pt\/en\/wp-json\/wp\/v2\/media?parent=12509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festivalmed.cm-loule.pt\/en\/wp-json\/wp\/v2\/categories?post=12509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festivalmed.cm-loule.pt\/en\/wp-json\/wp\/v2\/tags?post=12509"},{"taxonomy":"folder","embeddable":true,"href":"https:\/\/festivalmed.cm-loule.pt\/en\/wp-json\/wp\/v2\/folder?post=12509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}